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PX4M0012: Down and Owt in Falkirk and Blackpool

by Fats Dominion

/
1.
Dead Song 01:57
(Nuhin)
2.
Did you hear haven't heard How I felt Howd you feel They want me out It's absurd What occurred Left me on On the air Afterwords for an hour BBC said give them hope now they've given me the rope to go hang myself Children trapped in family cars radio rocks out of the shelf they wonder what comes next Now i've only got five seconds and I don't want them to check and find out what I've said Nervous boss comes wondering in says theres only one way out and it isn't great F-O-R-M-A-L-A-P-O L-O-G-Y-F-R-O-M-U Now I sit here in a cell and you're probably wondering how and what it is I came to say I simply told them I was tired everything had been a lie they could all go to hell
3.
The laptops still playing my favourite song Looks nice but not for me Looks nice but not for me I've got a machine that does exactly what I want it to say Theres the proof Whats gonna happen when I go away I think it's going to go on Forever Cus you never know Just when you're gonna go And how long The machine will keep on going Entertainment Last five light years long Looks nice but not for me The edges are sharp and the nights are long Looks nice but not for me I haven't been back here for very long Looks nice but not for me
4.
Train Song 02:21
4 kids sat across the carriage On two seats I WAS TOO COLD to feel the heat Their eyes one me BRILLO PAD BEARDS And daz white trainers The tallest shouted at his girlfriend OVER THE PHONE They pick flesh off bones Folding money from old folks homes TO MEET At this time on this train Told me someone would die Here comes the conductor Thank god They approached me Someone smelled what smells in my hold all bag TWO PLAINCLOTHES Police at the station Were waiting for me to meet them They searched me top to bottom for the next half hour SEIZED 8 GRAMS OF WEED Without charge I got off With a slap on the wrist But I'll never forgive THOSE BASTARD KIDS
5.
Sexy Dexy 05:19
I am no fun to talk to When I am mortal Which is often Even before night falls I used to run at 18 then my knees burst I was 2 feet short of A marathon My name is sexy dexy and I'm looking for a wife In Musselburgh The moon is so high and shining And crying like a baby Softly to me Ah get up every day at 5 Ah drink ten tinnies every night Then I get back up at 5 Ah drink ten tinnies every night And smoke 2 grams a day And then ah get back up at 5 And dae it all again
6.
Tiiiiiiiiime 02:26
I've got time to hear you And time to see you If someone walks past I've time for them too But wheres that leave you
7.
Find Your tribe He De- Spised Them For How They Fit So Willingly In Their (well to do) Slots In The (sensible) Buil- Ding And (and now no) Their Good sense (interaction) And Lack of Flam- Boy- Ance At all (or escape) Spoken: visiting his neighbors’ flats he would find himself physically repelled by the contours of the award-winning cafetiere
8.
They Call me A Junker Cus Ahm Out of It All Of The Time Ahm As sick As Ah Can Be From you neighbour, to your cousin Rows of graves, by the dozen So long ago, but up close They all died by overdose In their 20s, every version Of events They're all dead And the best, we could have had Tins of Tennants, line the land
9.
(Nuhin)
10.
You won't believe the things I see When light comes tumbling towards me Alone in dark I make my mark Today they throw Me out I'm back Folk now crawl On four rubber hands I say hi They don't stop they have plans
11.
(Nuhin)
12.
You told me You brought him To this house All hell broke loose I tell you Cus last time You shouldn't be surprised What did he do The light shade is snapped off Three holes in The door and Gouges in the hall Everyone gets just one chance To make a mess Disintegrate But that's The 5th time And now we'll have to cut him loose He'll have to go look after himself I'm fucking Sick of cunts Thinking that I am a mess I've got ayer 9 million Pals in on The internet I dinnae Need they cunts Rip the pish They've nae right FUCKING KILL THEM AW Fucks sake I just need one chance To make amends Gies a text But nae cunts gonnae phone me But now it's time to cut them loose They'll just need to look after themselves What makes someone drink twenty tins Where are they now no seen them since
13.
(Nuhin)
14.
ASDA Walmart headlights creates the dirt on our windscreen We done U turns in the services Then we settled down in an unbranded hotel If you haven't heard we're looking to leave Series on serial killers, mortages and kids 24 year old raves poured out a cranial sieve I tried six days but now I quit If you haven't heard we're looking to leave We run on empty Here comes the half shut knife His brain can't even breath let alone survive The mist follows the haar And dead trees caress the car If you haven't heard we're looking to leave
15.
Because we've just reached the crucial point you remember I spoke of the mind having to go through a series of decision making steps when confronted by a semantic incongruity first seeking justification and then either rejecting it or accepting on a poetic level well add to that a whole other series of steps these very ones we’ve been describing namely the finding of an X factor to which A and B can both relate my dog is your dog because they’re both brown but that can’t be says the mind but I see it can be in a poetic sense that’s the process now all of that complex mental process takes place in a millisecond a flash of time such is the wonder of our cerebral computer but the moment we come to deal with musical metaphor even that millisecond is eliminated because we don’t have to deal with the problems of A and B being incompatible and why not because the A’s and B’s of music are not burden by literal semantic weight like my dog or your dog or Juliet if this is A and this is B we instantly perceive the musical transformation with no time or effort needed to explain that relationship in terms of semantic meaning the only time required is the time it takes to play it in fact when you think of the number of transformations taking place in the space of those few bars of You see but in addition to that B is a metaphor of A through the comparative transformation of A which is transformed by lowering it one degree of the scale A dominant and the B progression is dominant tonic a beautiful parallelism and a shining case of this is that
16.
(Nuhin)
17.
Here Here How you dain man Ahve only been oot Ahve been oot fir about two months Right Ahve been oot fir about two months After well Well Ahve no seen you But What happened was Ah got clothes lined aff two guys in the taxi rank Right As in they just started Fuckin Bootin me You know what I mean They started punching me in the back of the heid n that It's horrible An they Well they They went away and then they left me alone fir about ten minutes twenty minutes But then they started coming back an like Taking photos of each other just kicking me when I was doon Touching me and that Ah didn't like that And then next hing I member I'm in the A and E An They hadnae phoned anybody I was alone It was really bad And well turns out I just cannae mind nothing since really cus Hell They telt me I was in a coma And Then ah met Ah met a guy Sexy Dexy Says he knew me and that He got me a job Got me a job selling the rings down at zen Well Ahve been there ever since Been there since eh How you been How you been m8 How you been Ahve Ahve no seen you Ahve no seen anybody but I've no seen you I've no seen you in aaaaaaaaages

about

Est. 2012 Fats Dominion have been fucking things up for everybody mostly themselves for ten years

Further reading on Fats Dominion
morganfreemanreplica.bandcamp.com/music

U Turns in the Services/Ah've No Seen You in Aaaaaaaaages
www.youtube.com/watch?v=HrJNtHYi5e8

credits

released November 25, 2022

Kieron: Guitar, Vocals
Dan: Bass, Vocals
Jordan: Drums, Fraud detection

Recorded at The Shunk (RIP) Summer 2021 in fragments and reconstituted in the computer

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Px4M Edinburgh, UK

PLASTIC PEOPLE PRODUCE PLASTIC MUSIC

DIGITAL + TAPE LABEL DOCUMENTING SOUNDS PRODUCED IN CENTRAL BELT OF SCOTLAND ESP. EDINBURGH

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